Tag: screenwriting

Should We Be Scared to Invoke ChatGPT?

Should We Be Scared to Invoke ChatGPT?

“The question is not whether or not we are capable of making AI more intelligent than us. The question is, will we be able to live with it?” – Dr. Robert Ford, Westworld (2016). This line from the thought-provoking TV series Westworld perfectly captures the 

The Four Main Ingredients For a (very) Good Story

The Four Main Ingredients For a (very) Good Story

Like cooking, writing needs essential ingredients. And like cooking, the better your ingredients are, the better is the end result. So what are those ingredients? First Ingredient: A stunning concept The concept is the core idea of your story. It’s the HOOK. The concept of 

Are You In The Mood To Write?

Are You In The Mood To Write?

Hey, let me tell you a secret: I’m never in the mood for writing. I think about writing all day and night. But, when it’s time to sit in that chair and work… I do something else. Oh, but I have many good excuses. You know those dirty windows need cleaning, right? I saw it in my Feng Shui book. And the bathroom? It gets dirty in a flash…

The problem with chores, well, they don’t make you very productive. And for years, it was killing me; I couldn’t continue working like this.

So a few years ago, I hired a coach (the most amazing one: Pilar Alessandra: https://www.onthepage.tv/product-category/classes/). She gave me deadlines, she gave me guidance, she sent me on the right track. If it’s something you’re considering, go for it.

Through that process, I understood a few things that I’m going to share with you:

1. Find someone to hold you accountable.

And I’m not talking about your bestie who will always be nice to you. I’m talking about a real fierce friend or professional.

With the deadlines set, I had no choice; I had to get my painful words on paper.

Around the same time, I got into a partnership with my co-writer Fiona Faith Ross. And for years now, I’m proud to say that every week, we have to give each other the work we’ve been working on. No excuses.

In that process, I understood another thing:

2. You are never in the mood for writing.

If I wait to be in the mood to write something, it would never happen.

My mood is lazy. I’d rather have a nap or watch Netflix than write. No one wants to write; writers want their books or screenplays to get written.

But oh! It’s such a nice feeling to get it done though. But to get to that feeling, you have to sweat some of your own blood on paper (or screen). So, I suggest doing this:

3. Write your writing session in your calendar.

If it’s in my calendar, then it’s a date. Treat it like an appointment. If I make an appointment with my doctor, I honor it, same with my friends or dentist. No escape, no excuse. 

And, I also do something else:

4. Have a timer in your writing session.

Like you, I suppose, I have a job. I have children to take care of. I can’t spend the whole day writing (that would be a luxury for me), so I have a time limit on my writing session. Sometimes, it’s 15 minutes, sometimes an hour, sometimes two, but within that time, I…

5. Sprint

That’s right. Like you would do on a race track.

I write everything down without caring if it’s any good because most of the time it’s crap anyway. I have to let my judgment go on holiday for a while and I…

6. Allow mistakes.

I don’t care if what I write is shit; I leave that for the most boring part of writing : the editing part.

If I want to write something good from the first draft, nothing good will come out. And as I don’t have a high opinion of myself, I would erase every single sentence that I write and get nothing done. Instead, I do something else…

7. Read the last paragraph.

I read what I wrote the day before and immerse myself in the story so I can continue. Then I…

8. Get comfy and blast some music on.

The style of music totally depends on your taste and, most of all, on the genre in which you’re writing.

Many writers would tell you to block any kind of distractions, but as I’m a weirdo, I don’t.

I don’t want to stop distractions in case the Universe wants to send me a message that could be crucial for my writing. But do as you wish. It’s up to you.

9. I also drink coffee.

Coffee, coffee, coffee. Without coffee, what’s the point of writing?

You may replace it with tea if you wish. And when I’m all fired up and I do some heavy work on the page, then I…

10. Write a short paragraph for the next writing session.

I usually write (before bed) a short paragraph of what the next scene or chapter should be about.

That way, my brain will work on it during my sleep, and gosh, I looooove my sleep. And guess what happens?

My brain will have it all figured out by the following morning, and I’d know exactly what I need to write.

Happy writing!!!

Take Life As A Game Challenge

Take Life As A Game Challenge

In life, there is never a time when you say: I’ve arrived! I’ve always thought that we were all part of a big game.  The first time I shared this thought to one of my classes, I had a complete silence and shocked eyes in 

Being A Writer Is Not Easy, But Don’t Give Up

Being A Writer Is Not Easy, But Don’t Give Up

Some of my friends told me they wanted to give up on their writing career. I know that they have been working very hard for more than 15 years. They wrote screenplays and published some novels. Yet, they don’t see the light at the end 

How To Write Unfiltered Characters

How To Write Unfiltered Characters

how to write unfiltered characters
Image by Rudy & Peter Skitterians at Pixabay

All types of characters are necessary to make a story interesting. The more diverse, the better. Today the light is on the Unfiltered Character.

The Unfiltered Character

Unfiltered characters are often direct and surprise us by their honesty.

When most people spend their lives pleasing others in order to avoid any form of confrontation, unfiltered characters do the complete opposite.

And that’s refreshing. Cathartic even.

In other words, they don’t care about what other people think and we love them for that. Furthermore, we would love to be like them.

What would it take to write one?

1- Make them ANGRY and REBELLIOUS.

One of the traits that an unfiltered character may have is anger.

They might be angry at society, at themselves or both.

Usually well educated, they observed the world through special lenses. They see what other people don’t see or choose to ignore.

Concretely, if you want to make your angry unfiltered characters react, create a box for them. Soon enough you’ll get a reaction, as they won’t fit in.

Sometimes, they’re not angry but they know themselves enough to know what they like and don’t like. For example, they know that hypocrisy is not their thing.

In addition to that, they hate time wasters. Small talks, meaningless conversations aren’t for them so if you want to annoy an unfiltered character in your story, create a chatty character that has nothing else to do than listen to his/her own voice. You’ll then create a nice conflict between them.

The downside of being an unfiltered character is they often feel lonely. However, they much prefer to be a loner than being with bad company.

Image by Trifo13 at Pixabay

For this type of character, Jess in Gilmore Girls played by the talented Milo Ventimiglia is a good example. Jess is a young man, full of anger, coming from a dysfunctional family.

He’s also the bad boy that good girls normally like. Bad boys are attractive because a sense of excitement comes with them. However what is interesting about Jess is the fact that he loves books, philosophy and is extremely intelligent. The unfiltered bad boy turns out to challenge everyone around him. And we love him for that of course.

I found this extract on YouTube that you could check;  an interaction with Jess and his uncle Luke (also an unfiltered character by the way).

https://www.youtube.com/watch?v=i7zsNFE0C2I

2- Make them TALENTED and BLUNT

Sometimes unfiltered characters aren’t angry. They don’t have time for it.

Instead, they need to focus on their mission and can’t afford any distraction. 

They know what they are good at, and dealing with people is not one of them. And oh! Don’t we like them too!

These kinds of characters can be funny to watch because they appear blunt or even mean.

 ‘I don’t do people’ is often their motto.

There is a reason for it. Often badly hurt, this type of unfiltered character prefers to concentrate on their mission in life rather than face their own emotions. In fact, they do everything to avoid interactions for that single purpose: self protection.

Can anyone relate?

For this type of character, I have in mind the character of Mina, the beautiful surgeon in The Resident, played by Shaunette Renée Wilson. 

Watch this extract to understand what I mean:

https://www.youtube.com/watch?v=M3jRF3HNWyM

3- Make them AUTHENTIC and CYNICAL.

The cynic can be either way funny or scary depending on the genre.

The cynic has often a dark vision of life. He/She asks questions that nobody wants to answer. He talks about a subject that nobody wants to think about, he tells a truth that no one wants to hear.

Truth is unsettling, isn’t it?

Characters like these make you feel uneasy because they make you think hard on the meaning of life . As they question life and relationships, they mirror our own insecurities.

Jamie in The Sinner, played brilliantly by Matt Bomer, came to my mind for this type of unfiltered character.

Please do not watch this extract if you are under age and if you are sensitive, this extract has strong language and violence.

https://www.youtube.com/watch?v=JyOk7p30Iwo

4. Make them FUNNY and RUDE

On a lighter note, an unfiltered character can be incredibly funny, simply by contrasting  with the other ‘normal characters’.

While saying out loud what everybody thinks is a great ingredient for your story, being rude to other characters is great for comedies. If you need to add a bit of humor in your story, this is the kind of character that you definitely need.

Let’s take the example of Michel, the (amazing) grumpy concierge in Gilmore Girls played by Yanic Truesdale.

https://youtu.be/CNjJZokmqkE

Thank you for reading x

Step by Step Easy Business Plan for Artists & Writers

Step by Step Easy Business Plan for Artists & Writers

Photo by Jess Bailey @ Pixabay Why would you spend time on a business plan?  Probably because it’s the first step to take your artistic career seriously. ‘A goal without a plan is just a wish’ Antoine de St Exupéry If you’re driving, unsure of 

It’s Time To Shine Your Light

It’s Time To Shine Your Light

Photo by Colin Behrens @ Pixabay I have never liked January and its New Year resolutions time.  I don’t see the point. Each year is what you DAILY make it… for 365 days. Many times, I saw people making plans and giving them up after 

Interview with Phil Clarke

Interview with Phil Clarke

Phil Clarke (aka Philmscribe) is a UK-based script consultant and screenwriter with over twenty years service to cinema.

After years working at the coal face of film on such features as Sleepy Hollow, Enigma, The Beach and two of the biggest box office franchises: Star Wars and Harry Potter, Phil turned to writing – both for the page and the screen. His screenplays have been optioned both in the UK and Hollywood and his books have been published worldwide.

 
Sophie: Phil, thank you so much for accepting this interview.

Phil: Pleasure!

Sophie: Why is it so important for a screenwriter to work with a consultant?

Phil: It’s that vital second pair of eyes. Writers of their own work often are unable to see the wood for the trees. They are understandably too close to the project. Consequently, they only have a subjective view of the story and script. Someone who has no affiliation or attachment to the project but who has demonstrable industry experience and has made it their career to learn about screencraft and has helped countless others can provide that all-important objective viewpoint. 
 
When a novelist attached to a publisher releases a book, it’s not published sight unseen. It’s checked, proofread, edited, revised. Often an editor is assigned to the author who works with them to tighten, clarify, hone the story’s telling. Why should screenplays be any different?

Sophie: You often say that the writer’s voice is important, why?

Phil: First, let me try to explain what the writer’s voice is, for those who might not be aware…. It’s the overall style of the writing. How the writer phrases a sentence, communicates story aspects to the reader. Word choice, tone setting etc. For instance, we can tell the difference between reading a book by Stephen King and one by Hilary Mantel… and not just from the contrasting genres. 
 
And the key reason why the writer’s voice is so vital is that producers and production companies aren’t solely looking for that one-off project; they’re seeking a writer with a clear, assured, fresh writing style. Why? Because even if they don’t particularly go for the script, they may think you’re perfect for another project they have on the pile. So essentially, your spec script is a calling card for you as a writer. It’s a writing sample. This is how many professional screenwriters get their break. 

Sophie: Do you think screenplays competitions are still worth it? And if yes, which ones? Which events a screenwriter should attend?

Phil: Some are, for sure. Although you do need to place highly. At the end of the day, you need to ask yourself why you’re entering a script contest. Do you want to get your script optioned or sold, get it in front of those who can actually make your project? Or do you just want an ego boost? Many writers, if they’re truly honest with themselves, just want the latter. They want to get that First Place or Honorable Mention award even if it’s from Backwater Nowhereville Script Competition. But it’s not really worth anything. These small script contests can’t offer a way in, can’t truly link you to the people who are willing to stump up the dollars to option or make your project. 
 
And while we’re on the subject of script contests: please watch out for script contests’ free feedback incentive. As a freelance script consultant of many years standing, I have seen countless examples of this “free” feedback sent to me from confused clients. It’s as if they’ve not really read the pages. And often those that are hired to provide these ultra-brief notes aren’t experienced enough to give such notes. You don’t know who you’re getting them from, so why should you trust what they say? Another reason why you should seek out a reputable script consultant who has proven industry nous, who has a face, a name, an identity you can talk to rather than “free” feedback (which isn’t free as you’ve paid to submit your screenplay!)
 
Here’s a list of the good guys when it comes to script comps. But beware: these are tough to win. If you do manage to place highly in these, then you should give yourselves a pat on the back as you’ll likely get a very solid shot at becoming a pro within the industry. 
 
Nicholl Fellowship
Final Draft Big Break
Screencraft
Page
Bluecat
Script Pipeline
Austin
Scriptapalooza
Save the Cat Screenwriting Competition
Image by olilynch @ Pixabay

Sophie: Who is/was your mentor and what has she/he taught you?

Phil: I never had one single individual who acted as a mentor; it was more of a collective. The years spent working for movie productions, on the sets of major films, seeing first-hand how the likes of Tim Burton, Terry Gilliam, George Lucas, Chris Columbus, Michael Apted did their thing was a huge learning experience for me. I was fortunate to closely shadow Chris Columbus on the first two Harry Potter films, was with him on-set, in the rushes theatre watching dailies, in the production office, in editing, and accompanied him to all departments during principal photography and this priceless level of access – not to mention having the chance to bend his ear and get his take on filmmaking and writing and having him read my early work – allowed me to fully understand the filmmaking and script development processes.

I’ll never forget the best piece of advice he gave me. At the time, I was poring over paradigms and screenwriting formulae, and when I asked him about the validity of these, he turned to me and said: “Just write an entertaining story.” It was his way of telling me not to rely on these overworked plot structures, but focus on telling a story that entertains. If you can do this honestly, then you’re on the right track.

Image by qimono @ Pixabay

Sophie: What inspires you?

Phil: Great writing. Indomitable perseverance. Plucky underdogs. Unwavering self-belief. Beautiful cinematography. Effortless prose. Unyielding passion. 

Sophie: Which screenplay do you wish you had written?

Phil: Oooh good question!  Hard to pick just one.  Those that come to mind right now — Se7en. Back To The Future. Raiders of the Lost Ark.  There are also some I wish I’d written as I feel I’d have taken them in a different direction… but out of respect, I think I’ll keep these to myself!

Sophie: What is the project that challenged you the most? How did you get through it?

Phil: That’s a tough one to answer. I can’t really go into specifics about a particular script, but consistently the projects that tend to challenge me the most are those for which I’ve been hired to perform an Anglicisation Edit. I do have quite a number of writers who don’t count English as their first or main language but have written in this tongue and wish for me to improve the authenticity of their dialogue and action. This can be quite the task, particularly when the writer’s intention isn’t clear. Consequently, there is a lot of back and forth to establish intention so I can communicate exactly what the writer requires. 

Sophie: What do you do when you get stuck on your writing?

Phil: Ask questions. Work out WHY I am stuck. What am I struggling with. Then study the answers I’ve come up with and within these should be the way forward on how to get unstuck. Sounds simplistic, but it works. 

Image by Lukasbieri @Pixabay

Sophie: Are you writing at the moment? Can you tell us something about it?

Phil: I’m always writing. Whether it be lengthy reports on scripts, script commissions, polishing other people’s projects, rewriting, creative email correspondence, articles on writing etc etc… But I assume you mean, writing my own creative projects. The answer’s yes though only when I can spare the time as my clients’ work comes first, always. Right now, I’m doing some major world-building on an ambitious time travel idea. That’s about all I can say right now.

Sophie: If you could share one secret about screenwriting, what would it be?

Phil: These days, I don’t believe there are any secrets about screenwriting. There is no magic formula to success, no shortcut to making it. You just need to do the hard graft, keep practising, keep honing your craft, work on your storytelling abilities and writing style and build that portfolio of solid, engaging, entertaining work. Secrets suggest there’s some kind of hidden way, that all the people who have made it and are working in the industry are aware of it and aren’t sharing. Not so. 

As well as a writer for hire, Phil works as a script consultant; his clients have won or placed highly at major script competitions, had their projects optioned, while others have gone on to be produced, the best debuting at Cannes.
 
He can often be found spouting screenwriting advice or talking all things film on social media via @philmscribe on Twitter & Instagram, www.facebook.com/philmscribeconsultancy and writes an occasional newsletter packed with writing tips, news, interviews and exclusive offers that goes out free to all subscribers (known as Philmscribers!) – those who are interested can sign up at the bottom of any page of his website: www.philmscribe.com 
7 Ways To Boost Your Writing Session

7 Ways To Boost Your Writing Session

OK. You have a few minutes ahead to write something. Great! Except that you don’t know where to start and you are staring at a blank screen. Not good. So today, I have put together some tricks that could give you the little push that